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Under The Skin (2013): Film Review

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Under The Skin is a 2013 Drama/Fantasy film starring actress Scarlett Johansson and directed by Jonathan Glazer

Budget: 13.3 million USD

Box Office: 7.2 million USD

IMDb: 6.3/10           Roger Ebert: 4/4           Rotten Tomatoes: 84%

I give it: 4/5

Under the Skin is a 2013 production that belongs to the sci-fi genre. However, most viewers of the film agree that the film breaks away from some of the most common factors seen in Sci-fi films. When the words “Sci-fi” or “Science Fiction” are mentioned, people almost automatically think of Oscar winning blockbusters like Gravity (2013) or Interstellar (2014). That, or their mind shifts towards Star Wars (1977-still going strong) or Star Trek the famous TV series (1968) that’s also been made into a film series. Notice the words “Stars” as the shared elements between the two titles. This is due to the fact that for such a long time, science fiction films have been associated with galaxies, stars, extra celestial beings, life on different planets…etc. However, Under the Skin presents itself as an astoundingly unconventional sci-fi film with no Space fights or laser beams whatsoever. Under The Skin is a sci-fi film that takes place on Earth, Scotland; to be specific.

The story is about a mysterious nameless woman played by Johansson, who roams the streets of Glasgow, Scotland, hunting for men who she lures in with her vibrant sexuality then eats, not literally. Eventually, we understand that Scarlett Johansson is an alien who’s completely disconnected from normal human emotions and feelings.

That, of course, doesn’t in anyway mean that Under the Skin is free of the mesmerizing visuals we find in sci-fi films. In fact, the film is packed with them but it does so in the most avant-garde way possible, establishing itself as a visionary science fiction film rather than a movie about colorful creatures fighting each other for entertainment reasons. That doesn’t necessarily mean that this specific kind of pleasurable and humorous films isn’t needed. But every now and again, it is refreshing to find a film rising from a certain genre, altering the peoples’ view of it.

Until this very day, some people still believe that a true, genuine sci-fi flick has to have certain elements and iconographies in order to be listed under the sci-fi genre. However, I believe that is a common mistake that societies tend to make when exposed to a certain constant, unchanging thing or nature for so long that they forget that it can be altered or reformed.

The opening scene of Under the Skin is very important, as it has been directly linked to Kubrick’s 2001: A Space Odyssey numerable times. The scene is viewed as a reference to 2001. The story opens with a black screen and a white dot in the middle that keeps growing until it overtakes the whole screen with its blinding brightness, followed by a cosmic close up, followed by a close up of an eye. All this is happening while a score that is so similar to that of 2001 is playing and a woman (Johansson’s voice) is mumbling incomprehensible words. This scene establishes the viewer’s understanding that he/she’s about to go on a journey rather than watch a film that he/she might forget after. The sequence also sets the scene for what’s to come. In a sense, this scene is a perfect opener, enlightening its spectators that they’re in for a film that is more concerned with building atmosphere than it is with multifaceted plot or dialogue.

There’s only one main character and one star in this film and that is Scarlett Johansson. Her character is of an alien who lands in Scotland and takes form on Earth as a very beautiful and very seductive young woman. Johansson’s character displays an absence of empathy. Another important aspect when it comes to the characters of the film is that some of the men Johansson chats with are real actual passers by who have no idea they’re talking to a huge movie star or that they’re being filmed. Johansson drives the van herself and the scene is shot in hours on end.

The narrative content of the film is innately sexual as it focuses on a woman luring in men using her sexuality, beauty and body in order to then use them for her own special purposes. The film makes great use of the documentary style to
the extent that what you see as a reality on screen is almost too relatable that it initially becomes uncomfortable to watch. In contrast to this amount of reality thrown in your face, comes the way more cinematic and stylistic filming style, which dominates a large part of the film. Consequently, this filming style juxtaposes against the realism of the very realistic scenes. The film’s music is almost perfect. It’s horrifying, alarming, disturbing and startling in every way.

The whole film feels like one long dream/nightmare where everything is familiar yet, seems strangely odd. Where places that echo with safety now vibrate with anxiety and fear. Under the Skin reminds us that cinema is the closest thing we have to dreaming without actually being asleep. Remarkably, the director manages to take the feeling of everyday scenery and turn it into one that is associated with alienation and disconnection from the real world. The film attacks its viewers with its bold, alien visuals and its almost perfect musical score and magnificently produces a delightfully nightmarish cinematic environment while holding back nothing. The visuals and music are so in sync that you feel threatened watching every frame of this film.

It’s been said that this film in particular is a beautiful, yet a dreadful metaphor of women’s sexuality. Some film critics even describe it as one of the most powerful feminist films of the 21st century.

It is quite understandable that during the 80s and 90s period, Sci-Fi films were directly associated with individuals labeled as “Geeks” or “Nerds”. However, now, serving a total disclaimer to the above claim; sci-fi films have managed to become part of the mainstream theme of entertainment. Now comes Under the Skin, placing the sci-fi genre among Art house cinema as a step to alter and develop the specific genre. This only serves to prove that no genre is limited to its most popular iconographies and no filmmaker should stop trying to develop, revise and experiment with any of the well-known genres. The biggest, most significant proof of constant generic change is Jonathan Glazer’s Under the Skin.

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Entertainment

Messi Thanks Turki Al-Sheikh For His Wonderful Hospitality

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Turki Al-Sheikh, owner of Almeria invited Barcelona and Argentina star Lionel Messi over the weekend to watch Almeria’s game against Elche, in an attempt to strength his relationship with the star.

Messi released a video on his official Instagram page last Saturday, the video highlighted the moment of his entrance where he shook hands with Turki Al-Sheikh, chairman of Saudi Arabia’s General Authority of Entertainment, and owner of the Spanish club Almeria.

“I am happy to be back in Riyadh and I look forward to returning again. Thank you Turki Al-Sheikh and the Riyadh season for the great evening.” Messi wrote.

Messi also accepted Al-Sheikh invitation to watch the game at his house, along with international teammates Dybala, De Paul, Agüero and former Real Betis man Lo Celso. All of whom enjoyed Al-Sheikh’s hospitality as they watched the Spanish second division game, which ended 1-1.

On his behalf, Al Sheikh posted a video of the evening he had Messi over at his place, “First of all happy to see you here and to be in Saudi Arabia, and I hope to meet you next year in La Liga between Barcelona and Almeria.” Al-Sheikh said in the video.

Another video was posted of Al-Sheikh showing Messi around Riyadh.

 

 

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The Kingdom is Getting Its Very Own Version of Coachella!

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Leave everything that you’re doing because this is news you don’t want to skip! The Kingdom has announced that AlUla Desert will host its very own version of Coachella.

The Coachella Valley Music and Arts Festival is an annual music and arts festival held in California’s Coachella Valley, and now this major event is coming your way to the Arabian desert, AlUla.

Desert X is collaborating with the Royal Commission for AlUla to present Desert X AlUla, which will take place in the historically significant place AlUla and with its stunning beauty and cultural heritage, the event will certainly captivate visitors.

“Desert X is expanding beyond the borders of the California desert and going international,” the organizers announced on Instagram. “Furthering our mission to connect desert communities and cultures around the world through contemporary art, Desert X is collaborating with the Royal Commission for AlUla (RCU) to present Desert X AlUla, which will take place in the desert of AlUla in northwest Saudi Arabia, a historically significant place of outstanding beauty and cultural heritage, and home to the country’s first UNESCO world heritage site, Hegra.”

The event is coming faster than you might think, as it scheduled for next year in January.

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International Celebrities Rock the Red Carpet During the Joy Forum19

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The Joy Forum19 is a major industry event organized by the General Entertainment Authority (GEA), the event plays a huge role in placing the Kingdom on the global entertainment map.

Yesterday, the event witnessed a number of mega stars and entertainment pioneers from across the world, such as Indian actor and film producer Shah Rukh Khan; Hong Kong martial artist, actor, film director Jackie Chan and Belgian actor and martial artist Jean-Claude Van Damme.

Hong Kong martial artist, actor, film director Jackie Chan

martial artist Jean-Claude Van Damme.

More celebrities from the across the world walked the red carpet, including American actor Jason Momoa, star of Aquaman; Amr Adeeb, Balqis Fathi, Yusra, Boosy Shalabi, Lojien, Aseel Omran, Mohammed Hamaki, Nawal AlZoghbi, Talal Salama, Ahlam Al-Shamsi, Hussain AlJismi, Suad Abdulla, Ibrahem Alharbi, Tariq Alali and Abdulnaser Darweesh.

Jason Momoa, star of Aquaman along Egyptian comedian Mohamed Henedy

During yesterday’s event, the GEA took the opportunity and signed a number of important agreements that included a financing guarantee program for small and medium-sized enterprises.

“Our message is for both, locally and internationally. Me and my generation suffered a lot, we had lots of time on our hands,” GEA chairman Turki Al-Sheikh stated at the event.

“Today you are witnessing things we have never had in Saudi Arabia. We have 300,000 visitors to our events, and our sales have hit 80 percent.” Al-Sheikh added.

During the event, co-founder and CEO of the Saudi Arabian Myrkott Animation Studio, Abdulaziz AlMuzaini expressed his gratitude to King Salman and the Crown Prince Mohammed bin Salman.

“If it wasn’t for them, I wouldn’t have dreamed of this moment or this panel.” He said.

The private gala dinner hosted 500 guests while the red carpet elegantly showcased where Saudi Arabia is heading in terms of the entertainment industry.

 

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