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Under The Skin (2013): Film Review

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Under The Skin is a 2013 Drama/Fantasy film starring actress Scarlett Johansson and directed by Jonathan Glazer

Budget: 13.3 million USD

Box Office: 7.2 million USD

IMDb: 6.3/10           Roger Ebert: 4/4           Rotten Tomatoes: 84%

I give it: 4/5

Under the Skin is a 2013 production that belongs to the sci-fi genre. However, most viewers of the film agree that the film breaks away from some of the most common factors seen in Sci-fi films. When the words “Sci-fi” or “Science Fiction” are mentioned, people almost automatically think of Oscar winning blockbusters like Gravity (2013) or Interstellar (2014). That, or their mind shifts towards Star Wars (1977-still going strong) or Star Trek the famous TV series (1968) that’s also been made into a film series. Notice the words “Stars” as the shared elements between the two titles. This is due to the fact that for such a long time, science fiction films have been associated with galaxies, stars, extra celestial beings, life on different planets…etc. However, Under the Skin presents itself as an astoundingly unconventional sci-fi film with no Space fights or laser beams whatsoever. Under The Skin is a sci-fi film that takes place on Earth, Scotland; to be specific.

The story is about a mysterious nameless woman played by Johansson, who roams the streets of Glasgow, Scotland, hunting for men who she lures in with her vibrant sexuality then eats, not literally. Eventually, we understand that Scarlett Johansson is an alien who’s completely disconnected from normal human emotions and feelings.

That, of course, doesn’t in anyway mean that Under the Skin is free of the mesmerizing visuals we find in sci-fi films. In fact, the film is packed with them but it does so in the most avant-garde way possible, establishing itself as a visionary science fiction film rather than a movie about colorful creatures fighting each other for entertainment reasons. That doesn’t necessarily mean that this specific kind of pleasurable and humorous films isn’t needed. But every now and again, it is refreshing to find a film rising from a certain genre, altering the peoples’ view of it.

Until this very day, some people still believe that a true, genuine sci-fi flick has to have certain elements and iconographies in order to be listed under the sci-fi genre. However, I believe that is a common mistake that societies tend to make when exposed to a certain constant, unchanging thing or nature for so long that they forget that it can be altered or reformed.

The opening scene of Under the Skin is very important, as it has been directly linked to Kubrick’s 2001: A Space Odyssey numerable times. The scene is viewed as a reference to 2001. The story opens with a black screen and a white dot in the middle that keeps growing until it overtakes the whole screen with its blinding brightness, followed by a cosmic close up, followed by a close up of an eye. All this is happening while a score that is so similar to that of 2001 is playing and a woman (Johansson’s voice) is mumbling incomprehensible words. This scene establishes the viewer’s understanding that he/she’s about to go on a journey rather than watch a film that he/she might forget after. The sequence also sets the scene for what’s to come. In a sense, this scene is a perfect opener, enlightening its spectators that they’re in for a film that is more concerned with building atmosphere than it is with multifaceted plot or dialogue.

There’s only one main character and one star in this film and that is Scarlett Johansson. Her character is of an alien who lands in Scotland and takes form on Earth as a very beautiful and very seductive young woman. Johansson’s character displays an absence of empathy. Another important aspect when it comes to the characters of the film is that some of the men Johansson chats with are real actual passers by who have no idea they’re talking to a huge movie star or that they’re being filmed. Johansson drives the van herself and the scene is shot in hours on end.

The narrative content of the film is innately sexual as it focuses on a woman luring in men using her sexuality, beauty and body in order to then use them for her own special purposes. The film makes great use of the documentary style to
the extent that what you see as a reality on screen is almost too relatable that it initially becomes uncomfortable to watch. In contrast to this amount of reality thrown in your face, comes the way more cinematic and stylistic filming style, which dominates a large part of the film. Consequently, this filming style juxtaposes against the realism of the very realistic scenes. The film’s music is almost perfect. It’s horrifying, alarming, disturbing and startling in every way.

The whole film feels like one long dream/nightmare where everything is familiar yet, seems strangely odd. Where places that echo with safety now vibrate with anxiety and fear. Under the Skin reminds us that cinema is the closest thing we have to dreaming without actually being asleep. Remarkably, the director manages to take the feeling of everyday scenery and turn it into one that is associated with alienation and disconnection from the real world. The film attacks its viewers with its bold, alien visuals and its almost perfect musical score and magnificently produces a delightfully nightmarish cinematic environment while holding back nothing. The visuals and music are so in sync that you feel threatened watching every frame of this film.

It’s been said that this film in particular is a beautiful, yet a dreadful metaphor of women’s sexuality. Some film critics even describe it as one of the most powerful feminist films of the 21st century.

It is quite understandable that during the 80s and 90s period, Sci-Fi films were directly associated with individuals labeled as “Geeks” or “Nerds”. However, now, serving a total disclaimer to the above claim; sci-fi films have managed to become part of the mainstream theme of entertainment. Now comes Under the Skin, placing the sci-fi genre among Art house cinema as a step to alter and develop the specific genre. This only serves to prove that no genre is limited to its most popular iconographies and no filmmaker should stop trying to develop, revise and experiment with any of the well-known genres. The biggest, most significant proof of constant generic change is Jonathan Glazer’s Under the Skin.

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Saudi Film ‘The Perfect Candidate’ Is Now An Oscar Contender

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Saudi director Haifaa Al-Mansour just made history once again with her feature film ‘The Perfect Candidate‘ becoming the first ever Saudi Arabian Oscar contender.

The movie is produced by Los Angeles based Al-Mansour and Brad Niemann and for the first time, the Saudi Film Council showed tremendous support to the movie.

Now, the movie is competing for the award of Best International Feature Film at the 92nd Academy Awards. 

The film has also been screened in several prestigious international festivals including the Venice Film Festival and the Toronto International Film Festival and just recently, the movie has been chosen to be distributed in the UK by ‘Modern Films’.

The movie revolves around a young doctor called Maryam who decides to run for public office and in doing so, she starts to face obstacles along the way that are of course related to gender. The movie takes us on a journey of how the heroine, played by Mila Alzahrani, is trying to break stereotypes and gender inequality.

Saudi Arabia continues to diversify its economy and open to new cultural opportunities and that’s why having a Saudi film submitted by the Saudi Academy Awards Committee to the Oscars is considered a milestone.

 

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Surprises Coming Your Way During this Riyadh Season

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General Entertainment Authority Chairman, Turki Al-Sheikh provided earlier this week more details about the 12 festival zones that are taking part in the Riyadh Season, and also revealed some of the events to take place across the country in the upcoming two months.

For starters, the South Korean boy band BTS will perform at King Fahd International Stadium on October 11, marking their first ever performance in Saudi Arabia and hopefully won’t be the last.

On the 17th of October, the Kingdom will witness its largest parade ever in which 1,500 participants will march the parade in costumes.

Meanwhile on October 17th, an open-air cinema will be held at Riyadh Boulevard whereas the latest movies will be played, and several international restaurants will serve your favorite food.

Visitors will also get to enjoy the world’s most extravagant dancing fountains.

Next month, Argentina will be back for a revenge attempt against Brazil as Saudi Arabia hosts the Superclasico de las Americas once again.

Meanwhile, the Riyadh Front venue will feature the season’s largest exhibition area ever, as it will host to a wide range of events including Space Discovery, ComicCon, a Cirque du Soleil show, and a performance of Michael Jackson concert “Thriller Live.”

Stay tuned for more details, as this season is expected to be like no other!

 

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WWE Crown Jewel Returns to Saudi Arabia Next Month

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King Fahd International Stadium in Riyadh will host the WWE Crown Jewel on October 31st and you can book your tickets starting from Tuesday.

According to WWEArabic.com, the Saudi General Sports Authority will host the show from King Fahd International Stadium on Halloween, and tickets will go on sale this week at prices starting from only SR25 ($7).

The event will feature big names from WWE Superstars Seth Rollins, Kofi Kingston, Roman Reigns, Brock Lesnar, “The Fiend” Bray Wyatt, Braun Strowman, The New Day, Randy Orton, AJ Styles, and Rey Mysterio along with special appearances by WWE Hall of Fame Hulk Hogan and Ric Flair.

Crown Jewel will also include the homecoming of Mansoor Al-Shehail, WWE’s first Saudi Arabian Superstar who just recently won the largest Battle Royal Match in WWE history at Super ShowDown in Jeddah last June.

Tickets will be available through this link.

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